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Alice Through the Looking Glass

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Role: Digital Compositor
Where: Double Negative, London

Production Company: Walt Disney Pictures
Genre: Adventure, Family, Fantasy
Release Date: 27 May 2016 (USA)

Alice returns to the whimsical world of Wonderland and travels back in time to help the Mad Hatter.

Johnny Depp’s Mad Hatter does not body-pop in this sequel to Tim Burton’s unexpectedly all-conquering 2010 Alice In Wonderland. Does that seem like a small thing? Perhaps, but it’s one of the reasons this is a more enjoyable film. But only just – it’s a narrow margin, and despite its financial success, the earlier film is hardly a classic.

This time, we drop in on Alice (a spirited Mia Wasikowska) after some years spent adventuring on the high seas – a wildly implausible opening nautical chase bodes well. She returns home to a vaguely sketched commercial dispute, but before she gets in too deep, she’s whisked back to Wonderland via the looking glass of the title, where Depp’s Mad Hatter is dying, haunted by how his family were killed by the Jabberwocky.

Quite why she embarks on her quest to save him, when Depp is almost as irritating as he was in the first film, is unclear, but he and fellow returning big-hitter Anne Hathaway (the White Queen) aren’t around for long. Their lack of screen time would lend proceedings a somewhat half-hearted feel if they weren’t making room for Sacha Baron Cohen as the personification of Time, from whom Alice must swipe a plot device to travel back to save the Hatter’s family. And it’s Cohen who elevates proceedings whenever he’s onscreen. Eccentric and funny, he makes the interesting choice of a Werner Herzogian German accent and lends individual lines a blend of menace, absurdity and demi-godly indifference. After the disaster of Grimsby, it’s nice to have him back on form.

The person responsible for this is Ali G and Flight Of The Conchords man James Bobin, who continues the recent trend of TV comedy directors making surprisingly adept hands at tent pole juggernauts (see also the Russo brothers). His Wonderland looks familiar, but Time’s castle — a gothic construction at the centre of a giant clock, populated by clockwork minions and containing impressive rooms of infinite hanging watches – is a design triumph. It’s just a shame the film it decorates only occasionally enchants.


The film is directed by James Bobin.
Mia Wasikowska as Alice Kingsleigh
Johnny Depp as Tarrant Hightopp, the Mad Hatter.
Louis Ashbourne Serkis as a young Tarrant Hightopp
Helena Bonham Carter as Iracebeth of Crims, the Red Queen.
Leilah de Meza as a young Iracebeth
Anne Hathaway as Mirana of Marmoreal, the White Queen.
Amelia Crouch as a young Mirana
Sacha Baron Cohen as Time, a powerful Father Time-godlike human/clockwork hybrid who speaks in a German accent and rules over all of time “himself” in Underland using the Chronosphere in his castle.
Rhys Ifans as Zanik Hightopp, the Mad Hatter’s father.
Matt Lucas as Tweedledum and Tweedledee


VFX Breakdown

Copyright © 2015 Roger Serrabassa Vilar. Digital Compositor. All rights reserved.